"...He looks at the metaphysical world (paradoxically) through the pop art prism of the mass media, which were the greatest threat to the survival of art and philosophy. Đorđević's imitation of a photographic frame, a bold but thoughtful gesture that proves that it is possible to combine the incompatible: art and the medium that destroys them " Snežana Golubović 2006

"... Đorđević has enhanced his artistic concept very early by the idea that it is possible to decompose a picture to many semantic layers including the interaction between different formally stylistic pattern. The reflexes of great European tradition starting from the Greeks , the reinessance and some typically modernistic patterns have not only thematically enriched his paintings , but also gave the artistic language itself a new dimension : both classic and modern in the same time…"
Sreto Bošnjak 2006

".…Therefore, Đorđević’s paintings represent a formed and round vision, a world of forms artistically justified, that can as soon as tomorrow be enriched by ideas which more and more appear to be an imperative of our time…"
Pavle Vasić 1976